Friday the 13th (2009) is really good.
Take a breath, relax and re-read that sentence. It isn’t a typo. I say B+. And I say this having seen all the other ones (and the past 2 in the theater) with John several years ago. This is the post where he reviews the first 10; here is a great montage of all the deaths in those same 10 movies.
There is a caveat, however: you have to like the notion of Friday the 13th movies. You have to enjoy Jason, teenage dumbassery, tits, unrelenting murders and the usual horror movie tropes. But this movie is one that does all of this very, very well.
Firstly, the movie combines the strongest plot points from the first 4 original movies into a single cohesive narrative. (Sidenote: It is sad to me that out of 12 films, only 5 of them have actually opened on a Friday the 13th.) This is not a huge feat (much in the way summarizing a porn franchise into a single film), but it impressive the amount of respect given to the original material — and the fact that it works so well.
Secondly, it’s fun. It has several jokes in it that work. Jason X (In Space) had some genius moments and great jokes in it; theose were all self-aware of the history of the franchise. In this new film, the jokes work mostly as commentary on the genre itself, self-aware in much the same way Scream was — the jokes are not gags, but nods to the ver notion of teenage slasher films.
The movie itself is heavily influenced by the Rob Zombie type of horror movie — not only did Zombie direct the remake of Halloween a few years ago (which, originally, Friday the 13th was created to capitalize off of way back in the day), but the very atmosphere and design decisions of the film are clearly influenced from Zombie’s other movies.
There seems to be a sweeping trend between these Michael Bay produced remakes (Texas Chainsaw Massacre, The Hills Have Eyes*, Friday the 13th, The Amityville Horror, The Hitcher and next year’s remake of Nightmare on Elm Street) and Zombie’s films — a fear of rural life and “backwoods” mentality. Now, this isn’t a new topic in film — Straw Dogs and Deliverance spring to mind immediately.
But I think this trend, in horror, is somewhat new. The original Friday the 13th premise focused around sex=death for teenagers; Jason was an avenging moral executioner. Now, however, sex is included because it is expected and sells; no longer are teenagers punished for screwing; they are punished for intruding. (You can also make the argument that this is not new either — even the miserable Hallowen Resurrection (2002) revolves around student intruding on Michael Myers space as opposed to him actively seeking out victims.
The easiest example in the new Friday the 13th film is this: Jason has tunnels. Dug out, earth-worn tunnels under buildings in the camp. When I told a friend, his response was, “Jason doesn’t dig! That’s not a skill he has.” This is true. Or was. Regardless, I find it interesting that the film becomes more about Jason punishing those that intrude upon his primitive and rural space (the Camp) instead of actively seeking out victims that he then passes moral judgment upon.
It’s also really interesting to me that the fear of rural life is so overwhelmingly visible in horror films right now. This is marked comparsion to imported Asian horror films of the last 10 years or so — which are all about fear of technology and scientific irresponsibility (The Ring, The Eye, The Host). Watch “House of 1000 Corpses” and then “Friday the 13th.” The influences are unmistakable.
* Not actually produced by Michael Bay, but I’m throwing it in because I believe it squares up here.
Popularity: 1% [?]
I haven’t seen it yet but hope to. I hear that being in the theatre greatly enhances the experience as audience members feed off each others reactions. Nice to see a low budget film get this much attention.
Langano :: oct 24 2009 :: 4:40 pm